Richard Thompson – The Rattle Within

In 2017, Ivor Novello Award-winning and GRAMMY® Award-nominated legend Richard Thompson gave himself up to the music itself. Picking up a guitar, emotions echoed through his deft fleet-fingered fretwork, poetic songwriting, impassioned picking. Those transmissions comprise his nineteenth solo album and return to New West Records, 13 Rivers.

“I never really think about what songs mean,” he admits. “I just write them. Some of them reflect on what happened a few months ago or even a year ago. It’s a process of surveying my life and where I was at.”

In 2017, Thompson began composing ideas for what would become 13 Rivers at his California home. Off the road, he focused on writing. As a result of the defined time period, the music possessed a distinct cohesion.
“I wrote the songs as a group to hang together,” he elaborates. “They belong together in some way and seem to possess a commonality since they were written in the same time and space.”

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The Molochs – I Wanna Say To You

Flowers In The Spring is where the Molochs worked harder, thought harder and fought harder to be the kind of band that the times demand: “I like to think the world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s simple. It’s not easy … but it’s simple.”
America’s Velvet Glory had sparked their first-ever U.S and European tours, first-ever festival sets, first-ever international press and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats studio between December of 2017 and January of 2018, where Fitzsimons and longtime band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate of songs that had come to Fitzsimons in flash moments, written on nerve-wracking transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts of insight or rescued from almost-abandonment in discarded notebooks.
As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett of the Only Ones was at work, but the Molochsare endlessly (appropriately?) ravenous when it comes to things to read and listen to and learn from. On Flowers they’d refine and recombine their sound, working in that long tradition of poets who cover (or discover) themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like the Clean did.

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The Magpie Salute – Send Me An Omen

Magpie Salute was pulled together by guitarist Rich Robinson and continues a story-line he began in the Black Crowes with guitarist Marc Ford and bassist Sven Pipien. Completing the group is vocalist John Hogg, who shared Hookah Brown with Robinson, along with keyboardist Matt Slocum and drummer Joe Magistro, both veterans of Robinson’s solo records and tours over the years.
Produced by Rich Robinson and recorded at Dark Horse Studios in Nashville TN, the 12-song HIGH WATER I represents a musical union of swaggering rock ‘n’ roll, psychedelic blues, and campfire-worthy storytelling that first took flight in 2016 when Robinson assembled the band for a now seminal Woodstock gig.

The Magpie Salute will be at Sony Hall in NYC on Friday September 7.  Click here for info

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